Wednesday, August 20, 2025

Reading an Apron

 

The Vermont Historical Society holds in its collections this apron. Object ID 1984.6.2 is described as

Blue checked cotton apron. The check design is woven into the fabric and is 4 yarns by 4 yarns. The apron consists of a long rectangular piece of fabric gathered into a narrow waistband that extends outward to a tie.

Additional context states that the apron is
Made from cloth woven at the Vermont State Prison in Windsor.
Aprons generally receive hard use and the plain ones don't often survive, so this apron and its context are interesting.

The description of "The check design is woven into the fabric and is 4 yarns by 4 yarns" we would generally refer to today as gingham. However, since gingham used to be woven in either stripes and checks, this fabric is most accurately called an apron check.

Instructions for weaving this exact apron check appear on page 29 of The Domestic Manufacturer's Assistant and Family Directory in the Arts of Weaving and Dyeing, by J & R Bronson, published in Utica New York in 1817.


The Vermont Historical listing doesn't include any measurements, but I suspect the apron is a single 3/4 yard wide loom width - 27 inches - as the Bronson instructions indicate. From the photo, I'd guess that the apron was made from a length of fabric a yard to 1 1/4 yards long (36" to 40 1/2",) with the ties being cut from the width.

Visible stains on the apron would indicate it has seen some use. The photo doesn't have the resolution to determine if the apron has been patched or darned, but there do seem to be a few areas that might be small holes, perhaps caused by sparks.

Just three years after the prison was built in 1809, they advertised their ginghams in the Vermont Republican and Journal on December 14, 1812. They sold not only ginghams, but shirtings and bed tickings, both wholesale and retail, and would take payment in produce, no doubt used to help feed the prisoners.

VERMONT STATE PRISON. THE public are hereby informed, that the subscriber has for sale, wholesale and retail, the following articles, manufactured at the State Prison :- GINGHAMS, of various figures and qualities -COTTON SHIRTINGS -BED-TICKINGS, &c, &c. ALSO, SPOOLING, QUILLING, PICK. ING & REELING MACHINES, which may be had on fort notice, by the use of which, from three fourths to seven eighths of the labor is saved. Manufacturing Companies will find it to their advantage to call and purchase. Almost every kind of produce received in payment for the above articles: ABNER FORBES, Contrader. Windsor, Dec - 34, 1812.

On June 28, 1813, the prison touted improvements to their weaving operation in an article published on page 3 The Washingtonian

VERMONT STATE PRISON. FEATS AT WEAVING. Owing to the great improvements made in the weaving machinery, and to the spirit of emulation existing among the convicts to excel each other in activity and skill in the loom, the performance in weaving, at this Prison, for a few weeks past, exceed every thing of the kind within our knowledge. The following we give to the public as a specimen. On the 23d inst. S. G. a convict, wove, in fifteen hours time fifty eight yards and a quarter of gingham No. 16 Factory yarn; plying three shuttles and having assistance only in sizing the yarn, clearing the rods, and handing quills. The cloth was of the best quality. And the performer of this feat threw his shuttle with the astonish

ing quickness of one hundred and twelve  times a minute; no allowance being made  for the time necessarily occupied in taking  refreshment. If such are the fruits of an  institution, while in its infancy, what benefit  may not the State expect to derive from future improvements?   THE VISITORS.  The above mentioned gingham weighed fifteen pounds and one quarter.  Windsor June 28, 1813.

Let's do some math. Convict S.G. was weaving a little over 3 3/4 yards per hour. This is a respectable speed. The writer's mention of the "great improvements" made in weaving machinery suggests that the loom was fitted with a flying shuttle.

In weaving, the weft, or filling threads, are laid down one at a time by the weaver passing a shuttle back and forth. (This is called throwing, but it's really a controlled, sharp push.) To overcome the limitations of the human arm-span, two weavers needed to work together to produce broadcloth, a huge industry in England.

The flying shuttle, patented in 1733 by John Kay, mechanized the throwing action so that one person could weave widths of fabric greater than their arm-span. But the invention was also found to be simply faster than throwing the shuttle by hand for narrower widths as well.  S.G. was weaving 112 weft threads (these are called shots or picks) per minute, slightly less than two shots per second, a very speedy rate.

The mention of three shuttles is a head-scratcher.  Weaving the apron check would require two shuttles, one for blue, one for white. Using two shuttles requires an additional mechanism on the flying shuttle to allow the weaver to change colors without having to handle the shuttles. But that's still only two shuttles.

Knowing both how many yards were woven and how many shots were woven allows us to determine that the fabric had about 48 weft ends per inch. The number of warp ends would be about the same. It would be interesting to know the thread counts of the apron in the Historical Society's collection.

The warp yarns may have been a twisted two-ply for additional strength, while the weft (filling) was single, similar to these yarns offered for sale in the New York Evening post on Monday, March 16, 1818.


The article indicates that there was an additional task of sizing the yarn - applying a thin liquid substance to the warp yarn strengthen it by minimizing fraying.  Only the warp yarn would be sized.  Starting on page 32 of their book, the Bronsons give detailed instructions for sizing cotton yarn, using a thin solution of wheat flour. 

While the flying shuttle was necessary for convict S.G. to achieve the speeds they did, the ability to weave cotton goods relatively cheaply relied on three additional innovations; the spinning frame patented by Richard Arkwright in England 1769, using water to power the frame, which started at Slater Mill in Rhode Island in 1793, and Eli Whitney's cotton gin, patented in 1794. (1)

As the quantity of machine-spun cotton yarn increased, bringing down the price, and as refinements were made to looms, weaving as a prison trade would have become more economically feasible. The prison would have had the expense of acquiring the looms (2) and the associated equipment and the yarns. It also appears that they paid a master weaver, probably to teach inmates how to weave, to keep an eye on quality control, to keep the equipment in good order, and to manage supplies. (3)

This newspaper ad from the Vermont Republican and Journal Windham, Windsor and Orange County Advertiser from January 28th 1822 would seem to indicate that the prison was doing their own indigo dyeing, a process the Bronsons also detail in their book.

State Prison Ware-House. THE Superintendant of the Vermont State Prison offers for sale, at the Ware-house in the South end of the Tontine Building, opposite Patrick's Tavern, a handsome assortment of COTTON GOODS, consisting of Ginghams; Stripes, Apron Checks, Sheeting, Shirting, Bed-Ticking & Yarn, of a superior quality. That part of the Goods which is coloured Blue, is warranted to he a genuine Indigo Blue. They will be sold low for cash, or of a liberal credit, and most kinds of country produce t will be received in payment. Country Merchants who are dealing, in, and farmers who are consuming, cotton goods, are requested to call and purchase where they can find goods, which, for durability, are exceeded by none of the kind in the United States. Also-for Sale, a quantity of well cured Pork Hams & Dried Beef, and a few Boxes of CANDLES, of different sizes, for Cash. JOHN H. СOTTON. S. V S. P.  P.S. All persons who have contracted to deliver grain at the Prison, whose contracts have become due, are requested to forward it without delay.  All orders for Reeds; Brushes, Shuttles, or weaving, will be promptly complied with. Cash paid for good HOGS' BRISTLES Windsor. Jan, 23, 1822.

Note that the prison also had a side business of making reeds for looms as well as shuttles. The shuttles produced in the prison were very likely similar to the ones below. These shuttles would be used in homes where the shuttle was still being thrown by hand. None of these shuttles has any documentation, but the top one was purchased in Vermont.


The development of the power loom in Waltham, Massachusetts in 1814 would eventually spell the end of prison weaving. The last newspaper reference I've found for prison ginghams is from an ad on December 29th, 1832, on page 1 of the Vermont Republican and Journal, when the prison superintendent asked those owing amounts to the prison to make their payments (so that the prison could close their books at the end of the year.) The mention of "very reduced prices" may indicate a plan to close down the weaving business.

Here's a lovely demonstration of a flying shuttle loom, by somebody you may recognize, one way or another.

Notes
(1) If you're not familiar with John Styles's work you have a great treat ahead of you. You can find many of his papers here. His paper on the rise and fall of the spinning jenny is helpful in this context. It's possible that the prison had a jenny to prepare their own yarns.
(2) Research into the looms of this period is ongoing, but largely handlooms were one-offs and could be made by just about anybody with a good grasp of timber framing techniques - perhaps even by inmates at the prison. Beaters (called "Lathes" at this time) using flying shuttles would require a little more skill. Perhaps Ebenezer Stowell in Middlebury Vermont was able to supply the prison. He advertised on page 4 of the Vermont Mirror on August 24, 1814.

(3) The Vermont Journal, Monday, November 1, 1819, p. 2. The master weaver's wages are summarized with those of the Keeper, Assistant Keeper, and Guards, so we don't know exactly what they were being paid. From this article we also learn that 115 prisoners were employed. Not all of them would have been weaving.




Friday, July 4, 2025

Hargrove No. III - A Plain Cord

 

After far too many delays, I finally finished weaving a sample of Hargroves' No. III, A Plain Cord.

For those of you not familiar, John Hargrove had a book of weavers' pattern drafts published in Baltimore in 1792. Only two copies are known to survive, and fortunately you can see read one on the Internet Archive.  A reprint was published by The American Antiquarian Society in 1979. Unfortunately, like the original book, the reprint is incredibly scarce. If you can find a copy - perhaps through interlibrary loan - Rita Adrosko's Introduction is very informative.

I like rib weaves and I think they don't get as much attention from handweavers as they deserve. I'd not woven this particular Hargrove draft before and I decided to try it using a yarn I'd not used before.

This 20/4 unmercerized cotton was a mill end I bought in 1991 and tucked away in my stash. Rib weaves have a history of being used for work clothes and this cotton seemed like a good candidate for a fabric for a vest or trousers I could make up for gardening wear.

Nominally, this yarn is equivalent to a 10/2 at 4,200 yards per pound, which I typically weave at about 24 epi for tabby. To get a sturdy fabric in a rib weave, I sleyed a little closer, at 30 epi, which is conveniently five repeats of the draft per inch. I wove my sample 8" wide.

To maintain a walking tread, the Hargrove draft adds a fifth treadle. As I don't have a fifth treadle at my disposal at the moment, I had to fudge the tread a bit. I tied up the shafts in order (shaft 1 to treadle 1, etc.)

This meant that tabby is woven by alternately treading 1&2 and 3&4. After each shot of tabby, the two warp-wise floats are treadled on 2 and 3. Starting the weft on the left side, then starting the treadling on 1&2 meant that I always knew which tabby to treadle next.

The yarn behaved well, being just slightly tender at the selvedges - probably because I wasn't using a temple and the fabric drew in quite a bit. Here's a close-up under tension on the loom.


Here, I've used a pink mercerized 10/2 for the weft so that the weave structure is more apparent.


Here's the back of the fabric, also under tension.


After taking the fabric off the loom I sank it into a tub of boiling water to which I'd beat in a good handful of soap flakes. I let this sit overnight, then rinsed in warm water until the water ran clear. The 20/4 cotton bloomed quite nicely and while the hand is firm, it's not unduly stiff. It finished at 40 epi.














Wednesday, June 4, 2025

Probably

 

Over the years I've developed a fairly ruthless approach to starting perennials. In late autumn I sow seed in flats, cover the flats with 1/4" hardware cloth to keep squirrels and jays from digging in them, and leave them outside to experience their first Pacific Northwest winter. If they survive the wet, the chill, and the occasional ice storm, they germinate sometime in the spring. Unfortunately, so do any weed seeds that managed to drift in.

I know what a lot of perennial seedlings look like, and for things that are new to me I have some good books to help me out. But every once in a while I'm just completely stymied. So I think I've just pricked out seedlings for a dozen pots of Shooting Star, but I'm not entirely certain.

Time will certainly tell.

Thursday, January 2, 2025

Dressing Sensibly


Right. So you've put away your dressy holiday clothes, except for the ones that need to go to the dry cleaner due to some course of action you can't quite recall but are pretty sure your friends will rib you about for years to come.

It's time to return to Dressing Sensibly for the Weather in the Northern Hemisphere.  It's time for a nice...LADIES' UNDER VEST.

In 1884 you could subscribe to The National Garment Cutter and use their graded rulers and curved ruler to draft up this practical garment.*

As somebody whose stay-at-home dressing during the winter months used to start with a base layer of Duofold long underwear, I appreciate this garment.


For winter wear, the vest would typically be made of white or natural colored wool flannel (about the weight used in lighter weight Pendleton flannel shirts.) Due to its bulk, sewing with flannel historically used some specific techniques, such as using a herringbone stitch to fix down the seam allowances.


Binding the raw edges would produce a tidier, but more time-consuming finish.

Then there are those 17 button holes.

If you've got a little time on your hands, you could embroider scallops around the neckline.

 And then finish it all off with a some pretty feather stitching.


All illustrations showing techniques are taken from this excellent source. Used copies are a little hard to find in the United States, but it's available on the Internet Archive.

* You can use this draft! It's based on a scaled units in which for a 32" bust, 1 unit = 1". For every bust measurement inch over 32, increase the unit by 1/16th of an inch.  That is, for a 36" bust, 1 unit on the draft = 1 1/4". So, for the 1 1/2 units down from the top, you'd measure down 1 7/8." You'll also want a french curve ruler so that you don't have to draw the curved lines freehand.

Bear in mind that the vest would have been worn over a chemise and then a corset that molded the body to the fashionable shape for the period, so the proportions may need to be adjusted for the modern female body.

Personally I'd be tempted to mix and match time periods and make this up in a grunge-era plaid flannel with embroidery in an eye-watering magenta or neon lime green.